Torah Art · a cycle of four pieces

Branca בְּנֵי אֲנוּסִים

In 1543 the Lisbon Inquisition sentenced Branca Dias for keeping Judaism in secret. Sixteen generations later, one of her descendants, born in Rio de Janeiro, is returning to Judaism through the Spanish & Portuguese Beth Din in London. These four pieces follow the thread between them.

Bnei anusim means "children of the forced ones": descendants of Jews forced to convert. Each piece below is a playable sketch for an installation.

01

Sixteen Generations

Dezesseis GeraçõesMap · thread

A single gold thread runs from Viana do Castelo to Lisbon, across the Atlantic to Pernambuco, north to Sobral in Ceará, south to Rio, and back across the ocean to London. Step down the generations and watch the thread travel. The star marks the two women the Inquisition named; after them, the records keep only names.

Schematic Atlantic · not to scale

    In the room

    A single gold thread, hundreds of metres long, is strung across the gallery from a point marked Viana to one marked London. It passes a knot for every generation, each labelled by hand. Visitors walk its length.

    The fading

    After Branca and Inês, no one in the line is recorded as Jewish. The names keep going and the practices disappear from the paper. The thread doesn't break. It only goes quiet until 2024.

    Source

    From the artist's genealogy, which draws on Cônego Sadoc de Araújo's Cronologia Sobralense and on Inquisition records at the Torre do Tombo. Recent generations are shown without personal details.

    02

    Friday

    Sexta-feiraLinen · touch

    Her mother and sister in Lisbon, then her pupils and neighbours in Pernambuco, described Branca's Fridays to the Inquisition as evidence against her: clean sheets, a second wick, a yellow stew of meat and chickpeas sealed in its pot and cooked overnight, and a Torah laid on the bed. Their words are the only record of how she kept Shabbat. Here the accusation is written in ink on linen. Wash it away and the same words turn into instructions.

    Drag across the cloth to wash it.
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    In the room

    Lines of white sheets hang like laundry, printed with the denunciations in the original Portuguese. Once a week, on Friday, they are washed and rehung, and each wash leaves the ink fainter. In the corner, a clay pot of adafina cooks from Friday afternoon, and by evening the room smells of cumin and onion. The recipe is below.

    The inversion

    Branca's daughters and granddaughters said they learned "the law of Moses" from her. What was written down to condemn her has become, four centuries later, her family's Shabbat manual.

    Source

    Phrases from trial 5736 (Lisbon, 1543) and the Pernambuco denunciations of 1593–1595, as given in Koren de Lima, Branca Dias, Tomo 1. The stew was cooked by uma sua escrava, an enslaved woman whose name the record doesn't keep.

    Branca's adafina

    a panelada for Shabbat SERVES 6–8 · FRIDAY AFTERNOON TO SATURDAY LUNCH
    “… huã panellada de comer a qual ficava cozinhada daquella tarde pera ho dia seguinte … lançavão a carne picada na panella com azeite e cebolla e grãos e adubos e outras cousas, e barravão lhe o testo com massa ao redor e metiamna dentro em hum forno onde estava até se cozer.” Anna Lins, who lived in the house as a girl, 10 November 1593. Denunciações de Pernambuco, p. 57

    Ingredients

    • Dried chickpeas, soaked overnight, a third of them mashed · 250 g
    • Beef chuck or brisket, or mutton shoulder, in 4 cm pieces, visible fat trimmed · 1.2 kg
    • Extra virgin olive oil · 5 tbsp
    • Onions, thinly sliced · 3 large
    • Garlic, peeled; converso cooks fried onions and garlic in oil · 6 cloves
    • Bay leaves · 2
    • Salt · about 2 tsp
    • Water, to just cover · about 1.5 l
    • Eggs in their shells, optional; not in her record, but in other trials · 6
    • Fresh coriander and mint, to finish

    Her adubos, pounded in a mortar

    • Black peppercorns · 1½ tsp
    • Cumin seeds, lightly toasted · 1½ tsp
    • Coriander seeds, lightly toasted · 1½ tsp
    • Caraway seeds · 1 tsp
    • Cinnamon stick · 3 cm
    • Whole cloves, optional · 2
    • Nutmeg, grated, optional · ¼ tsp
    • Saffron, steeped in 3 tbsp hot water, or ¾ tsp turmeric · a generous pinch

    Method

    1. Friday, early afternoon. Pound the peppercorns, cumin, coriander, caraway, cinnamon and any cloves to a coarse powder; add the nutmeg.
    2. Heat the oil in a heavy clay pot or casserole. Brown the meat in batches and set it aside.
    3. Soften the onions slowly in the same oil, about 15 minutes, until golden. Add the garlic and the spices and stir for a minute.
    4. Return the meat. Add the chickpeas, bay, saffron with its water, salt and water to just cover. Bring to a simmer.
    5. Nestle in the eggs, if using. Cover tightly, sealing the lid with flour-and-water paste or a sheet of foil.
    6. Before candle lighting, move the pot to the oven at 95–100 °C, or a slow cooker on low. Her household sealed the lid with dough and put the pot in an oven. Leave it until Saturday lunch, 16–18 hours. If you want some on Friday night, take it out after 4–5 hours.
    7. Peel the eggs; their whites will be light brown and the yolks creamy. Serve the meat and chickpeas in their yellow broth with coriander, mint and bread.

    What was in her spice box

    SpiceWhat the sources say
    Pepper, cumin, coriander, caraway pimenta, cominhos, coentro, alcaraviaNamed together in a Toledo converso pot, testimony of 1523; the witness called their smell güesmo
    Cinnamon canelaIn a medieval Andalusian Jewish Sabbath dish and in Piñer's adefina
    Cloves, nutmeg cravo, noz-moscadaNot named in any testimony found; Piñer's adefina uses nutmeg
    Saffron açafrãoIberian cooks almost always used it for yellow. No Brazilian witness names it, but a 1517 stew from Guadalajara had saffron and pepper
    Turmeric açafrão-da-ÍndiaA modern stand-in for saffron; Roden and Piñer both use it

    Not in her pot: paprika, tomato or potato, which came from the Americas later. Other trial pots add chard, fava beans or turnips; add them if you like, but they are not in her record. For a Pernambuco plate, add cassava, a whole pimenta-de-cheiro and farofa, and say they're your additions. Ask your rabbi how the S&P community keeps food hot over Shabbat before making it for Shabbat itself. Sources: Denunciações de Pernambuco 1593–1595 (São Paulo, 1929), pp. 31, 57; Gitlitz and Davidson, A Drizzle of Honey (1999), pp. 14, 36, 150, 169, 171, 225; Piñer, Sephardi (2021), pp. 101–103, and Jews, Food, and Spain (2022), pp. 131, 179, 200, 203–204; Roden, The Book of Jewish Food (1996), pp. 189, 191, 194, 200, 213, 367–369.

    03

    Silver Stream

    Riacho do PrataWater · sound

    A Recife legend says that when the Inquisition came for her, Branca threw her silver and jewels into a stream, which has been called the Riacho do Prata ever since. The water hid what she couldn't keep. Four hundred years later, her descendant goes into water to return: the mikveh.

    Tap the water to throw in silver.
    0 of 7 thrown

    In the room

    A shallow channel of running water crosses the floor. Visitors drop small silver discs into it; each one rings as it lands. At the end of the channel, the water collects in a still pool the size of a mikveh.

    The legend

    It sits between history and myth, and it's been told by poets. Carlos Drummond de Andrade wrote about it. The piece treats it as a legend and says so.

    Care

    The pool evokes the mikveh without imitating the ritual. How close to go is a question for your rabbi.

    04

    Two Courts

    Dois TribunaisText · pairs

    Two courts, 480 years apart, sit face to face. On the left, the Lisbon Inquisition's case against Branca Dias and her family. On the right, the return of her descendant before the Sephardi Beth Din. Tap each pair to let the second court answer the first.

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    In the room

    Two long tables face each other across a narrow room, with documents under glass on each. The Inquisition's side is lit first. Over the exhibition, the lamps on the Beth Din's side come up as the lamps opposite dim.

    The archive

    Branca Dias's trial survives in the Torre do Tombo: PT/TT/TSO-IL/028/05736, 34 folios, 13 September 1543 to 9 July 1545. The real piece would show its pages.

    Care

    The right-hand side describes a conversion in general terms. It only includes what the artist and the Beth Din are happy to make public.